Clarendon College

SYLLABUS for ENGL 1302 Dual Credit

Silverton High School

Spring 2009, 3 semester hours

 

INSTRUCTOR: Jimidene Murphey


OFFICE: Room 110, Phone: 806-874-4830 (direct line).  However, best bet to catch me is to E-mail me at: jimidene.murphey@clarendoncollege.edu. I check email and WebCT at least once a day.

 

OFFICE HOURS:  MW 1:00-4:00 p.m.    and    TTh 9:00-9:30, 11:00-12:00, and 2:30-3:00

 

My office hours are posted on our Clarendon College Web site under Instructional Programs. I will also have several hours each week available for on-line “office hours,” using WebCT. Office hours include responses to email and assigned discussion postings throughout the semester.

CALENDAR OF IMPORTANT DATES:

Classes Begin

Tuesday, Jan. 13

Late Registration Begins

Tuesday, Jan. 13 

Last Day to Register and/or Add/Drop

 Thursday, Jan. 22

12th Class Day

Wednesday, Jan. 28

Last Day to Drop with a 'W'

Thursday, April 9

Good Friday

Friday, April 10

Spring Break

Monday-Saturday, March 16-21

Pre-Registration for Summer and Fall 2009

Tuesday, April 14

Commencement

Friday, May 8

Final Exams

Saturday-Thursday, May 9-14

Final grades due at 10:00 a.m.  and dorms close

Friday, May 15

 

COURSE DESCRIPTION: A study of principles of effective writing through analysis of sentence structure, paragraph organization, and theme development.  Includes analysis of model paragraphs and essays, essay writing, assigned library reading, and individual conferences.

COURSE PURPOSES:  English Composition II partially satisfies the requirements for the Associate degree at Clarendon College and is designed for transfer to a senior college.

 

SPECIFIC COURSE OBJECTIVES:  Upon successful completion of English Rhetoric and Composition II, you will:

 

1.     demonstrate skills of research

2.     organize and write the research paper

3.     properly document the research paper

4.     recognize and avoid plagiarism in a research paper

5.     write analytically about literature and essays

6.     evaluate sources of information and determine relative value and credibility

7.     distinguish between gathering information and synthesizing information and design and write a research paper that is either argumentative or problem-solution.

8.     construct and defend a research thesis.

9.     exhibit competence in the use of research formats.


Students may vary in their competency levels on these abilities. You should expect to acquire these abilities only if you honor all course policies, attend classes regularly, complete all assigned work in good faith and on time, and meet all other course expectations of you as a student.

 

REQUIRED INSTRUCTIONAL MATERIALS:

·         Madden, Frank.  Exploring Literature.  3rd ed.  New York:  Pearson, 2004. ISBN 0-321-36630-1

·         Writing Research Papers: A Complete Guide.  12th  ed. New York: Pearson Longman, 2006. ISBN 0-321-45799-4

 

METHODS OF INSTRUCTION:  Slide show lectures, class discussion of reading assignments, discussions, group work, individual or group presentations, electronic discussion postings, and work with students individually whenever possible.

 

 

CLASS POLICIES

 

Attendance

Attendance in college courses is your choice. Because so much of what you will learn in this course is not found in the textbooks, however, it is very important that you attend all classes if you want to be successful. You will need to follow your high school’s rules for attendance.

 

Even if you are gone on a school-sponsored activity, it is still your responsibility to turn your work in on time. I WILL NOT TAKE MAJOR WRITING ASSIGNMENTS OR HOMEWORK LATER THAN THE DAY THEY ARE DUE!!!  All major assignments are posted in this syllabus for each day, so even if you are to be gone for a school-sponsored event, they will be posted in plenty of time for you to do them early. AGAIN, I WILL NOT TAKE PAPERS LATE! (More about assignments under the heading “Assignments” below.)

 

Withdrawing from the Course
If you decide that you are unable to complete this course, you must withdraw from it by the date set in the Clarendon College catalog. Withdrawal from a course is a formal procedure which you must initiate; I cannot do it for you. If you think you must withdraw from this course, please talk with me about it first. If you quit turning in assignments and do not withdraw, you will receive an "F." Remember, I will not withdraw you from the course; only you can do that.

 

Academic Dishonesty
School
Policy:  “Failure to comply with lawful direction of a classroom instructor is a disruption for all students enrolled in the class. Cheating violations include, but are not limited to: (1) obtaining an examination, classroom activity, or laboratory exercise  by stealing or collusion; (2) discovering the content of an examination, classroom activity, laboratory exercise, or homework assignment  before it is given; (3) using an unauthorized source of information during an examination , classroom activity, laboratory exercise, or homework assignment ; (4) entering an office or building to obtain unfair advantage; (5) taking an examination for another person; (6) completing a classroom activity, laboratory exercise, homework assignment, or research paper for another person;  (7) altering grade records; (8) using any unauthorized  form of electronic communication device during an examination, classroom activity, or laboratory exercise;  (9) Plagiarism.  Plagiarism is the using, stating, offering, or reporting as one’s own, an idea, expression, or production of another person without proper credit (more about in the following paragraphs).

                                                    

Disciplinary actions for cheating in a course are at the discretion of the individual instructor.  The instructor of that course will file a report with the Dean of Students when a student is caught cheating in the course, whether it be a workforce or academic course.  The report shall include the course, instructor, student’s name, and the type of cheating involved.  Students who are reported as cheating to the Dean of Students more than once shall be disciplined by the Dean.  The Dean will notify all involved parties within fourteen days of any action taken.”

 

PLAGIARISM:  Read the following explanations carefully and be sure that you understand them.

 

1. Word-for-word plagiarism:  The student quotes his or her source without using quotation marks.  Even if the student cites the source, he or she is still plagiarizing because proper quotation procedures were not used.

 

2. Paraphrased plagiarism:  The student uses a source and with the exception of changing a few words or phrases essentially quotes the original.  Even if the source is properly cited, the writing is still plagiarized because the student has used the author’s style, vocabulary, and content and claimed it as his or her own.

 

3. Improper citations:  If a student uses someone’s information other than his or her own, the source of the material must be properly cited.  Failure to do so is plagiarism.

 

4. Improper use of ideas:  Ideas are as equally protected as words.  If the student uses someone’s ideas, but expresses them in his or her words, the student plagiarizes if he or she does not cite the source of the idea.

 

5. Internet use:  Copying and pasting from the Internet is plagiarism.  Purchasing papers from a paper mill is plagiarism.

 

6. Student sharing:  While students are certainly free to work together and study together, an assignment that calls for individual work must reflect the student’s personal effort.  If a student borrows or copies another student’s work, that is plagiarism.  If a student has another student write a paper, that is plagiarism.  If two students collaborate on an individual assignment and turn in the same work, that is plagiarism.

 

Plagiarism is a serious academic offense.  It involves legal issues about improper use of materials that do not belong to the student.  Plagiarism is unethical.  A student must do his or her own work; otherwise, the learning process is compromised.  Plagiarism is unfair to fellow students who take the time and make the effort to do their own work.  Essentially, plagiarism is cheating and will not be tolerated.

 

My Policy:  Anyone who is dishonest in any way (including the following examples) will receive a zero for that category of your grade (not just the particular assignment or test) with no opportunity to make up the zero. You WILL be dropped from the course with a grade of F for more than one violation.  In addition to the above, I invoke my own requirements:

 

You are guilty of cheating on an assignment by letting someone else complete part or all of your work by

·         using unauthorized electronic devices for in-class assignments or tests

·         using someone else’s electronic files

·         letting someone else use your electronic files**

 

 ** It is your responsibility to protect your electronically saved files. If someone else turns in an assignment as if it were that student’s work but it is work that you completed, I will have to assume that you allowed it to happen, and both of you will suffer the same consequences. Therefore, make sure your saved files are kept in a place where others cannot copy them. DON’T SHARE DISKS!!!

 

NEVER LET ANYBODY ELSE USE YOUR COLLEGE LOGIN OR PASSWORD!!

 

Class Changes/Notifications
If any changes are made to the class (assignments, due dates, etc.), I will try to inform you individually, especially if we don’t have class due to bad weather. 

 

Due Dates, Assignments, etc.
I handle this class much like it would be handled on a job in the "real world."  Therefore, I expect you to turn all work in by its due date. Due dates will be clearly marked in this syllabus and in WebCT. General due dates are given below under the heading Course Schedule. Outside assignments must be typewritten or done on a word processor.  The MLA format must be used for all papers.

 

Assignments are due at the beginning of class on the appropriate date.  If you are not going to be in class the day of an assignment is due, be sure that you have the assignment brought to me by class time or e-mail it to me by class time.  NOTE:  If you submit an assignment through WebCT, use only Microsoft Word, NOT Microsoft Works or WordPerfect.  AGAIN, I WILL NOT ACCEPT LATE PAPERS UNLESS UNDER THE MOST EXTREME CIRCUMSTANCES. I will drop the lowest daily grade.  The assignments are posted on this syllabus, and you will have plenty of time to submit assignments EARLY.  I do not drop any major writing grades.

 

The Research Papers

 

You will have two major literary analysis papers.  One will be a smaller three-page paper and the other will be a larger, five-page paper.  The larger paper is worth almost one-third your grade. You will be writing more papers leading up to this, so you will get lots of practice. The grade for this paper will consist of several separate grades, including your thesis statement, sources, quotes, first and second outlines, rough draft, and final draft.  All these averaged together will make up 30% of your total grade.  NOT TURNING IN ANY OF THESE COMPONENTS WILL EARN A ZERO FOR THAT COMPONENT, AND THEY MUST BE TURNED IN ON THE DAY THEY ARE DUE. For instance, if you don’t turn in thesis statement, sources, or an outline, you will receive three zeros for those components of the grade.  Even if you make 100 on the rough draft and the final draft, you will get an F (200/7=29).  IF YOU DO NOT TURN IN EITHER OR BOTH THE ROUGH DRAFT OR THE FINAL LITERARY ANALYSIS PAPER, YOU WILL RECEIVE AN “F” IN THE COURSE, NO MATTER HOW MUCH YOU TURN IN BEFORE THAT!!

Requirements for each research paper:

1.     Topics will be derived from assigned readings.

2.     The research paper must be at least FIVE FULL (or up to six) pages, not including Works Cited page.

3.     You will need a total of three required sources and four more sources of your own choosing

a.     Use three of these required sources, found in our CC library:

·         Drama for Students

·         Short Stories for Students    found behind the counter in the CC library – I will provide copies of these for you.

·         Poetry for Students

·         Contemporary Literary Criticism

·         Twentieth Century Authors (especially useful for the author-based analysis)

·         Cyclopedia of World Authors

·         The Explicator Cyclopedia, Volumes 1 and 2

FOR ANY OF THESE YOU MAY NEED, PLEASE LET ME KNOW AND I CAN GET YOU INFORMATION.

b.     The other four sources must include at least one from a book and one from a database in the library.  You must copy the pages of the book you’re using (plus the title page) and make a copy of the website you’re using and turn them in when you turn in your sources.  I’ll count off if you don’t.

4.     You CANNOT use www.wikipedia.com because it is not an academically reliable website.  Anybody can post to this site, which makes its integrity questionable. While it may look academically , it is not.

5.     You will need at least 10 quotes that you are going to use from these sources, with bibliographic information under each quote and a copy of the page you got the quote from.

6.     Only the MLA format will be accepted for ANY part of the above.

7.     (See last page for comments about literary criticism)

 

Daily Grades:  You will have a series of daily grades that will figure into your grade, consisting of writing assignments.

 

Discussions:  To get students to participate more freely, we will have online discussions through WebCT, our classroom management system.  You will have a participation grade on how many of these postings you do; you will have to have at least 10 MEANINGFUL postings during the semester.  You will get 10 points for each posting – if you only have three postings during the whole semester, your participation grade will be 30, and you certainly don’t want that.  These “lectures” will supplement in-class lectures and discussions.

 

Tests:  You will have tests consisting of multiple choice, fill-in-the-blank, matching, and essay questions and will cover only the topics we’ve discussed for that unit, such as the writing process, research methods, and critical analysis. If you miss a test, you will get a zero; however, I will drop the lowest test grade at the end of the semester. If you know you’re going to be gone for a school-sponsored event, you must take the test early.  I don’t give make-up tests.

 

Grading Procedure: The final grade in this course will be determined by the following:
All components of the major research paper..................................................................................... 30%

        (Each component will have its own grade: topic, sources, quotes, outline, rough draft, and final draft)

Exams (objective and essay)............................................................................................................ 30%

Writing assignments other than the research paper (including the “baby” research paper)....................... 20%

Daily writing assignments ............................................................................................................... 10%

Discussions in WebCT..................................................................................................................... 10%

 

The final semester grades will be figured as set in the current catalog:
90 to 100…A            80 to 89…B               70 to 79…C        60 to 69…D     Below 60…F

 

ACCOMMODATIONS STATEMENT: Clarendon College provides reasonable accommodations for persons with disabilities. Should you have a recognized disability and require special accommodations, you must notify either of the following individuals as soon as possible so that we can provide those accommodations: Dean of Students or your instructor.

 

TENTATIVE COURSE SCHEDULE and CLASS TOPICS

(Subject to change if necessary)

 

DATES

TOPICS AND ASSIGNMENTS

Week 1:

 

Intro

Class introduction. Go over syllabus. Read the “theory” part of Exploring Literature, Chapters 1-2, pp. 3-51 for next class session. 

Lecture:  Ch. 1-2 in Exploring Literature.

Also check below for written assignment due next week.

 

Week 2:

 

Personal response, writing about literature, and critical thinking.

 

Readings: Culture and Identity

Read and discuss Appendix “A” in your Exploring Literature book about literary criticism.

Lecture: Appendix “A” PowerPoints.

Read and discuss:

1.  “I Have A Dream” by Dr. Martin Luther King, Jr., p. 1081     4. “Ballad of Birmingham” by Randall, p. 17

2.  Birmingham Bomb Kills…” p. 16                                      5.  “A Dream Deferred” by Hughes, p. 76

3.  “Salvation” by Hughes, p. 32

Dierdre’s Draft of “Those Winter Sundays” p. 43 and Dierdre’s Revised Essay, p. 49.  (This will be a good guide to writing your response paper.)

Read and discuss Exploring Literature, Chapter 3, p. 55-79 (Reading about literature and responding to poetry). 

Read and discuss:

1.  “I Have a Dream” by King, p. 1085                            3.  Désirée’s Baby” by Chopin, p. 951

2.  “We Real Cool” by Brooks, p. 1003                           4.  Ain’t I a Woman” by Truth, p. 917

Respond to discussion in WebCT under “Week 2.”

 

Daily grade assignment to be turned in Friday:  Write a full one page response comparing how you felt after reading the newspaper article “Birmingham Bomb Kills” and the poem “Ballad of Birmingham.”  Also discuss the techniques of writing that the newspaper article used as opposed to the techniques the poem used.  Write a paragraph on why these pieces could be criticized from a “historical perspective” (p. 1334 in the Exploring Literature book.)  Must be typed in MLA form.

/

Week 3:

 

Poems

 

 

Read and discuss Exploring Literature, Chapter 3, p. 82-85 (Reading about literature and responding to poetry).

Handout and lecture: Intro to Poetic Terminology, found in WebCT under “Handouts and Study Guides” then “Handouts to Know.”  You will use this to write this week’s assignment.

Lecture: Chapter 3 readings:

1.     “Those Winter Sundays” p. 13                   5.  “The Word Plum” p. 74           

2.                                                                 “Advice to My Son” by Meinke, p. 7            6.  “The Fog” by Sandburg, p. 77                          

3.     “The Wind” by Stephens, p. 78                  7.  “When I Heard the Learn’d Astronomer” p. 83

4.     “Mirror,” by Plath, p. 795                        

Daily grade assignment to be turned in Friday:  Write a “text-based” criticism of three of the above poems, 1/2-page each.  You will need to analyze tone, irony, symbolism, metaphors, similes, or imagery. You will need to provide quotes from the poems to prove your assertion.  Remember, a text-based analysis uses only the text, nothing else.

Peer-editing:  Take a few minutes to peer-edit each other’s papers, and you will turn in the final paper. You need to turn in coherent, grammatically-correct perfect papers with no misspelled words (since these are peer-edited, I will count off quite a bit for errors).

Respond to discussion in WebCT under “Week 3.”

Read Chap. 11-12, Writing Research Papers

Daily grade due Friday: Complete the Chapter 11 and 12 handouts to turn in today.

 

Week 4

 

Research

 

Test #1

Will read in class:  “Los Vendidos,” by Valdez, p. 1061.

Read and discuss the following:

1.  “War is Kind” by Crane, p. 73 (pay particular attention to the irony in the poem)

2.  “A Man Said to the Universe” by Crane, p. 1225

3.  “The Man He Killed” by Hardy, p. 1240

4.  “Grass” by Sandburg, p. 1224

5.  Dulce et Decorum Est” by Owen, p. 1223

Major Writing Assignment #1 due Friday: Personal response to war.  Write a one-page paper on ONE of the following:

1.  Write a paper about the effects of war and your own personal experience of yourself, family members, or friends. If you don’t have any experience, interview a couple of people who have served in the military and get their perspectives. Then link that theme to the poem “A Man Said to the Universe.” In other words, in your opinion is war worth the pain and heartache? Why or why not? Does the universe care? Be sure to defend your stance by citing passages in the poems in a Works Cited page. Be sure to cite anybody you interviewed also.  Refer to Chapters 11 and 12 in the Writing Research Papers book.

2.  Look at “Making an Argument” on p. 1226 – your topic could be the theme of “doubt” as exemplified by the poems in the section: doubt about war itself, doubt about the usefulness of war, self-doubt, etc.

3.  Be sure to cite examples and quotes to argue (or “prove”) your thesis or point.

Peer-editing:  Take a few minutes to peer-edit these papers, and you will turn in the final paper Friday.

TEST #1 Friday: Chapters 1-3 Exploring Literature “theory” part, Introduction to Poetic Terminology, and readings up until now.

Read Chapters 1-2, pp. 1-31, in Writing Research Papers.  We won’t talk about these chapters, but you WILL be responsible for them for test purposes later.

Daily grade: Complete Chapter 2 handouts from Writing Research Papers book to turn in Monday.

Respond to discussion in WebCT under “Week 4.”

 

Week 5:

 

 

Research

 

Family and Friends

Read and lecture:  Chapters 3-4 in Writing Research Papers.

Daily grade: Complete Chapters 3 and 4 handouts from Writing Research Papers to turn in today, due Friday.

Distribute and go over Elements of Fiction Handout.

Read and discuss the following:

1.     “Marriage is a Private Affair” by Achebe, p. 206        4. “The Youngest Daughter,” by Song, p. 265

2.     “Two Kinds” by Tan, p. 250                                   5. “Dusting” by Alvarez, p. 267

3.     “A Worn Path,” by Welty, p. 259

Daily grade assignment due Friday:  Using ONE of this week’s pieces above, write a literary analysis paper, using either “psychoanalytical-based” or “gender-based” criticism (Appendix A in Exploring Literature book), relating the parent/sibling relationship the writers explore.  Needs to be at least two full pages, and of course, in MLA format with a Works Cited page citing the textbook.  Three possible ways to treat the paper:

1.     In some pieces, the parent/guardian has made sacrifices for the child. In others, the child is the one who has sacrificed. Explore what has been the effect of the sacrifice for each. Give specific examples and quotes from the readings.

2.     If you go the gender-based route, explore how the father/son relationship in “Marriage is a Private Affair” affects the son’s fiancée. How do mothers handle family situations or children differently than fathers? What role does gender played in the piece and how or why men and women read the piece differently?  Would that story be different if the setting were in a more liberally-minded society?

3.     If you go the psychoanalytic route, you’ll want to address what psychological issues people have with their parents, maybe even dig into how repressed feelings affect how an author may write. In “Dusting,” does the daughter lose her identity because of her mother?  Does she keep it? How could this affect the author later in life?

Requirements:

·         Find TWO outside sources substantiating your position and cite it in the Works Cited page along with your Exploring Literature book cite. This could include some research about parent/child relationships or some information about the author that would be pertinent to the paper. Your Works Cited page would have three entries: two outside sources and the pieces from the Exploring Literature book.

·         Write a good, concise, explanatory thesis statement, one that will present your argument for the paper.

·         Congratulations!  You're on the road to literary analysis!

Respond to discussion in WebCT under “Week 5.”

 

Week 6:

 

Start “Baby” Research Paper

 

 

Family and Friends

Prepare for first “baby” research paper.

Daily grade writing assignment due Friday: From a “historical-based” criticism viewpoint, pick a topic and gather at least three sources to write a full three-page paper from the selections we’ve already read.  Suggestions may include the historical context that includes something about the racial tension in the 1960s, the historical treatment of women in a particular culture or time, any kind of “mixed” relationships (such as “Marriage is a Private Affair”), the psychological aspects of war on soldiers (especially World War I’s infamous “trench warfare”) and/or family, or similar topics.  I MUST APPROVE YOUR TOPIC AND SOURCES BEFORE YOU CONTINUE THE PAPER!  I will look at them and hand them back to you by Monday. 

 

REQUIREMENTS:

§  Prepare the paper in MLA format, with the topic and sources (properly formatted) on one sheet of paper.

§  This is not a reader-based response, so don’t include your own initial reactions to a particular piece.  Instead, synthesize readings and sources to form your own opinions and conclusions.

§  You MUST turn in each component of the paper – you CAN’T just turn in the final copy.  For instance, I won’t accept the outline portion UNTIL you have turned in the topic portion.  Since I don’t accept late papers, that means that YOU HAVE TO TURN IN EACH COMPONENT TO RECEIVE A FINAL GRADE.

§  You have to research what was going on at the time of the writing in order to do a “historical-based” criticism. You can use specific time periods or general time periods, depending upon your topic and piece.

Study for your test #2, which will be next week.

Respond to discussion in WebCT under “Week 6.” You should have at least five postings by now.

Start gathering sources for your research paper.

 

Week 7

 

Continue Baby

Research Paper

 

 

Test #2

Read Chap. 6-8 in Writing Research Papers (omit Chapter 5)

Daily grade and discussion:  Complete the Chapters 6-8 handouts to turn in today from Writing Research Papers book.

Continue with “baby” research paper. I will hand back topics/sources, and you need to prepare a complete outline, to be turned in by Friday.

Daily grade writing assignment due Friday: Turn in outline, beginning with thesis sentence.  I will hand these back to you by the next class time to complete your final paper, including in-text citations and Works Cited page.

Friday TEST #2: Readings from Weeks 5 and 6 and Chapters 1-8 (omit 5) from Writing Research Papers.

 

Week 8

 

Baby Research Paper Due

 

 

Faith and Doubt

Read Chap. 9-10, Writing Research Papers

Daily grade: Complete Chapters 9 and 10 handouts to turn by Friday.

Read and discuss the following essays:

1.     “Learning to Fall” by Simmons, p. 1285

2.     “The Myth of Sisyphus” by Camus, p. 1277

3.     “A Blizzard Under a Blue Sky” by Houston, p. 1176

Read and discuss the following essays:

1.     “Cathedral” by Carver, p. 1156

2.     “A Good Man is Hard to Find” by O’Connor, p. 1185

3.     “Chrysanthemums” by Steinbeck, p. 1196

4.     “Some Keep the Sabbath Going to Church” by Dickinson, p. 1292

Major writing assignment to turn in Friday: Turn in revised copy of “baby” research paper.  This is the one you’ll get the grade on.

Respond to discussion in WebCT under “Week 8.”  You should have at least seven postings in WebCT now.

 

 

Week 9

 

Start Larger Research Paper

 

 

Women and Men

 

Test #3

Read and discuss the following pieces:

1.     “Cinderella” by Grimm Brothers, p. 800

2.     “Cinderella” by Sexton, p. 804

3.     “Cinderella” by Bettleheim, p. 807

Daily grade writing assignment due Friday: Write a one-page paper answering the “Making an Argument” question on p. 808 about the Cinderellas.  MLA format, of course, with quotes from the pieces, in-text citations, and Works Cited page.

Share with others your thoughts in WebCT discussion under “Week 9.”

Start thinking about what you want to write your final research paper on.

Read and discuss the following pieces:

1.     “Trifles” by Glaspell, p. 825

2.     “If Shakespeare Had a Sister” by Woolf, p. 852

3.     “Sweat” by Hurston, p. 1132

4.     “Hills Like White Elephants” by Hemingway, p. 732

5.     “The Horse Dealer’s Daughter” by Lawrence, p. 737

6.     “You Fit Into Me” by Atwood, p. 776

TEST #3: Over readings from Weeks 7, 8, and 9 (does not include Writing for Research book)

 

Week 10

 

Innocence and Experience

Read and discuss the following pieces:

1.     “Snow” by Alvarez, p. 439

2.     “Richard Cory” by Robinson, p. 511

3.     “How to Watch Your Brother Die,” by Lassell, p. 785

4.     “Tell All the Truth but Tell it Slant” by Dickinson, p. 1293

5.     “I Heard a Fly Buzz – When I Died –” by Dickinson, p. 1291

6.     “The Wayfarer” by Crane, p. 1224 

Major writing assignment due Friday:  Several of these pieces deal with death.  Prepare a 1½ to 2-page paper on ONE of the following choices, using author-based literary criticism (you will have to do a little research on the author’s life in order to do this). Be sure to use quotes and cites, along with a Works Cited pg.

1.     On p. 788 of the textbook under “Making an Argument,” answer the questions and write the paper on the effectiveness of the narration for “How to Watch Your Brother Die.” 

2.     Regardless of your beliefs about homosexuality, does the poem “How to Watch Your Brother Die” move you?  Would it have moved you the same way if the lover had been a woman and the brother have died from something besides AIDS? How? Why?

3.     Discuss the personification in “Mirror.” How effective is the voice of the mirror? Are mirrors always honest? Are they emotional?  What in Plath’s life may have prompted her to write such a poem? (research a little on her background)

Major writing assignment due Friday: From all our readings, pick a topic for your research paper. (See Assignment Sheet for requirements.) Email me, and I will respond within a day or two.  You can take your baby research paper and add to it.  Increase your scope some, add sources, add one or more readings, and compose a bit broader thesis statement (but not too much broader; you will only be adding two to three pages).

After I approve your topic, get your three required sources. Remember to format your sources in proper MLA form, and make it the Works Cited page. This will be the second component grade of your paper.

See if you can make connections between the readings from the first of the semester up until now. Making those connections would help with adding to your baby research paper.

 

Week 11

 

Research Paper

Read and discuss Exploring Literature, Chap. 4-5, pp. 148-170 (Argumentation and Writing a Critical Essay; Research.)

Read Chap. 13-14, Writing Research Papers

Major writing assignment to turn in today: Bring in four more sources, making a total of seven sources for your paper. Must be in proper MLA form, and you might as well make it your Works Cited page. This will be the third component of your paper grade and should be your final Works Cited page.

TEST #4: Chapters 9-14 in Writing Research Papers.

 

Week 12

 

Research

Major writing assignment to turn in Friday: Work up 10 quotes from these seven sources in MLA format. (See Assignment Sheet for further instructions).  Keep working on your paper as I may not have these back to you graded by the next class period. This will be the fourth component of your paper grade.

Major writing assignment to turn in Friday: Turn in final outline. This outline needs to have all the points you’re going to put in your paper.  This is just the skeleton of your paper; from now on you will be filling out the outline to complete your paper.  This will be the fifth component of your paper grade.

We’ll peer-edit these outlines in class, then the revised final outline is due Friday.

 

Week 13

Final Paper Due

 

Major writing assignment to turn in Friday: Turn in rough draft of final paper. This will be the sixth grade component of your paper.

I will have these back to you as quickly as I can so you can revise and turn back in.

Major writing assignment to turn in today: Revised rough draft of final paper.  IF YOU DO NOT TURN THIS IN, YOU CANNOT PASS THE CLASS! The final copy of the paper will be due Monday.  This will be the seventh grade component of your paper.

Major writing assignment to turn in today: FINAL PAPER DUE!!  IF YOU DO NOT TURN THIS IN, YOU CANNOT PASS THE CLASS!

Respond to discussion in WebCT under “Week 13.”

 

Week 14

 

 

Responding to Painting and Poetry

 

Print out handouts and read “The Veldt” and “There Will Come Soft Rains” by Bradbury.

In-class writing: Write a personal response to the short story.  Did you like it?  Why or why not? Respond to this prompt with quotes from the story to support your thesis:  Do you think children have too much freedom now? How has technology permeated our society?  Do you think this story could happen?  Remember, the story was written over 50 years ago!

Respond to discussion in WebCT under “Week 14.”

Read and discuss Exploring Literature (Responding to Painting and Poetry)

Pay particular attention to the painting “Starry Night” and the accompanying poem by Anne Sexton.  Read handout to song lyrics “Vincent” by Don McLean.

Also pay close attention to the painting “The Old Guitarist” and the poem “The Man With the Blue Guitar.”

In-class writing for daily grade:  In a one-page paper, what response to either “Starry Night” or “The Old Guitarist.”  What emotions, if any, does the painting evoke?  Do you agree with the point of view of the accompanying poem of your painting?  Why or why not?

Respond to discussion in WebCT under “Week 14.”

 

Week 15

Literature and Art

Wrap-up

In-class daily grade assignment to turn in today:  Write an evaluation of what you’ve learned in this class.  What have you learned about various genres of literature? What have you learned about literary criticism and academic research?

Review for final.  It will basically cover the “theory” portion of Exploring Literature and Writing Research Papers.  Make sure you have at least 10 postings in WebCT up by now. I will not count any postings later than Friday of this week.

 

Week 16

Final (comprehensive only over readings in Exploring Literature book, not research book).  You cannot drop this grade, no matter what.

 


 

 

Example of how to do “theory” outlines of textbook:

 

Prepare an outline of the “theory” portion of what you read.  It must be in MLA format such as the heading, etc., but an outline may be SINGLE-SPACED IF it is from the textbook material.  For the research paper, it must be DOUBLE-SPACED.  An example of, say, pages 3-9 would look something like:

 

I.     Personal Dimension of Reading Literature

A.   Most literature does not intend to convey a moral or lesson; it reveals as life reveals.

B.    Literature does evoke emotion.

 

II.    Personal Response and Critical Thinking

A.    When we think critically about literature, we build on what we know personally.

B.    Does not mean we’re searching for one right answer.

 

III.   Writing to Learn

A.    First Response

B.    Keeping Journal or reading log – most important thing your writing will not be your position, but how you support that position.

C.    (then you have to read but not outline stuff like the log on pp. 6-7.)

D.    Double-entry journals and logs

E.    Collaboration

1.    Interpretive communities

2.    Personal, not private

 

IV.   Ourselves as readers

A.    Different kinds of reading

1.    Read differently for different kinds of situations

2.    Some is pleasure, some is not.

B.    (then you read but not outline the poems on p. 9-10)

 

Hope this gives you some idea of what to expect.  Make sure your outlining feature of your word processor corresponds to the numbering system above.  It may seem picky, but that’s the way a formal outline looks like, and you need to get used to preparing formal, correctly-formatted outline.  You’ll need this skill later on in your college career.